Guillermo Del Toro ‘Pinocchio’ in London Film Festival World Premiere – The Hollywood Reporter


The 66th BFI London Film Festival has unveiled its lineup of world premieres at this year’s edition.

In addition to the previously announced opening night gala, the rousing big screen adaptation of the smash-hit, Olivier-winning stage musical ROALD DAHL’S MATILDA THE MUSICAL, the festival will also launch dazzling stop-motion animation GUILLERMO DEL TORO’S PINOCCHIO as well as CREATURE, a new collaboration between acclaimed choreographer Akram Khan and Oscar-winner, Asif Kapadia, and MY FATHER’S DRAGON, family animation from Award-winning Nora Twomey (The Breadwinner) and Irish animation studio Cartoon Saloon (WolfwalkersThe Song of the Sea).

The series and episodic selection, now in its second year, has “a thrilling range of stories for audiences to see on the big screen,” the festival said. Organizers unveiled a “Series Special Presentation” in the form of the world premiere of THE ENGLISH, starring Emily Blunt and Chaske Spencer, a tale of romance and revenge from award-winning television auteur Hugo Blick (An Honourable Woman, Black Earth Rising). Also premiering in the episodic selection is comedy-drama MAMMALS, a dissection of monogamy written by Olivier- and Tony Award-winning playwright and screenwriter Jez Butterworth and starring James Corden and Sally Hawkins; and A SPY AMONG FRIENDS which explores MI6 agent Kim Philby’s defection to the Soviet Union and stars Guy Pearce and Damian Lewis, the latter reuniting with showrunner Alexander Cary, following their previous collaboration on Homeland.

“The BFI London Film Festival shines a spotlight on the impressive range of creative talent within the UK, and is thrilled to help launch a rich and varied selection of homegrown world premieres,” organizers said. In addition to the three UK productions World Premiering as part of the episodic strand, the Festival will present the claustrophobic whistleblower comedy KLOKKENLUIDER, the directorial debut of actor Neil Maskell (Kill List) which stars Amit Shah, Tom Burke and Jenna Coleman, and Welsh filmmaker Jamie Adams’ bittersweet part-improvised love story SHE IS LOVE, starring Sam Riley (Control) and Haley Bennett (Cyrano). Award-winning short filmmaker Dionne Edwards delivers on the promise of early work with her heart-swelling debut, PRETTY RED DRESS, which investigates Black masculinity and family dynamics. Other UK debuts launching at the Festival include: Andrew Cumming’s wildly inventive Palaeolithic low budget horror, THE ORIGIN; Fridjof Ryder’s dark thriller INLAND, starring Mark Rylance and acclaimed British-Kenyan artist, Grace Ndiritu’s long-form debut, BECOMING PLANT.

UK Documentary cinema is also well represented with world premieres including the rapturous NAME ME LEWAND by Edward Lovelace (The Possibilities Are Endless) that explores the experience of a deaf Kurdish boy, IF THE STREETS WERE ON FIRE, an exhilarating portrait of London’s BikeStormz community which was featured in LFF’s Works-in-Progress showcase as part of UK New Talent Days 2021, and two new films KANAVAL: A PEOPLE’S HISTORY OF HAITI IN SIX CHAPTERS and BLUE BAG LIFE, produced by Natasha Dack-Ojumo, co-Founder of Tigerlily Films (BIFA-Winning company behind, Poly Styrene: I Am a Cliché). Yemi Bamiro also returns to LFF with his follow up to Michael Jordan portrait, One Man and His Shoes with SUPER EAGLES ’96 about the Nigerian football team.

The total number of world premieres screening in LFF has increased slightly year on year since 2019, from 11% to 15% of the feature programme

Tricia Tuttle, BFI London Film Festival Director, said: “Galas, competitive features, short films – across all sections of the programme, this is perhaps the richest overall selection of world premieres we have had the privilege of hosting at BFI London Film Festival, and we want to give these artists a moment in the sun before the full programme launch. Securing world premieres for their own sake is never an aim of our audience-facing Festival, but it is an honour that these filmmakers and artists entrust us help them to launch their beautiful work. And this is, at least in part, down to the passion and commitment of our audiences!”

The 66th BFI London Film Festival in partnership with American Express takes place from Wednesday 5th October – Sunday 16th October, 2022. The BFI LFF Programme Launch will take place on Thursday 1st September, 2022.

FEATURE FILMS

GUILLERMO DEL TORO’S PINOCCHIO (dirs. Guillermo del Toro, Mark Gustafson, USA) – Carlo Collodi’s dark fable about a naive wooden puppet Pinocchio is presented in dazzling stop-motion animation by Oscar-winning director Guillermo del Toro and award-winning director Mark Gustafson.

CREATURE (dir. Asif Kapadia, UK) – Acclaimed choreographer Akram Khan’s new creation is captured by Academy Award winner Asif Kapadia in the immersive and visceral CREATURE.

THE ESTATE (dir/scr. Dean Craig, USA) – Anna Faris and Toni Collette’s sisters plot to win the inheritance of Kathleen Turner’s cantankerous, terminally ill aunt, but find other relatives have equally devious designs on the family fortune. Crack ensemble also features Rosemarie DeWitt, Ron Livingston and David Duchovny. .

BECOMING PLANT (dir. Grace Ndiritu, UK-Denmark-Norway) – the debut feature-length from artist Grace Ndiritu presents an inquisitive choreographic and therapeutic group experiment with psychedelics augmented by the soundtrack from multi-talented artist and musician GAIKA.

BLUE BAG LIFE (dir. Lisa Selby, Rebecca Hirsch Lloyd-Evans, Alex Fry) – Artist Lisa Selby’s audacious and deeply personal odyssey through love, artistry and selfhood illuminates the uncompromising and powerful BLUE BAG LIFE, a documentary portrait of a life touched by addiction.

IF THE STREETS WERE ON FIRE (dir. Alice Russell, UK) – Russell shows London from an exhilarating, rarely seen perspective. While knife violence rises, BikeStormz is a space of liberation and creative freedom for young people across the city to be free and express themselves

INLAND (dir/scr. Fridjof Ryder, UK) – Ryder makes a striking, boldly cinematic debut with this intense puzzle piece, an intense thriller recalling Roeg and Lynch, and starring Mark Rylance in a story of a young man returning to his hometown in the wake of his mother’s disappearance.

KLOKKENLUIDER (dir/scr. Neil Maskell) – Combining pitch-black gallows humour, sharply amusing dialogue and perceptive characterisation, Maskell’s debut is an edgy and claustrophobic comic thriller in which a hapless government whistleblower and his partner hide out in a remote Belgian cottage, accompanied by two eccentric bodyguards.

NAME ME LEWAND (dir. Edward Lovelace) – Lovelace returns to LFF following 2014’s THE POSSIBILITIES ARE ENDLESS, here exploring the power of communication and community with a rapturous coming of age story about a young deaf Kurdish boy living in Derby in the UK .

PRETTY RED DRESS (dir/scr. Dionne Edwards, UK) – BRIT Award-nominated singer and West End stage star, Alexandra Burke, stars this charmer that sees one dress change everything for a family in Edwards’ spirited, heart-warming debut.

SHE IS LOVE (dir/scr. Jamie Adams, UK) – Sam Riley and Haley Bennett shine as estranged lovers meeting a decade after their split in this intense and involving drama, from prolific Welsh filmmaker Jamie Adams’ (Black Mountain PoetsBittersweet Symphony).

SUPER EAGLES ’96 (dir. Yemi Bamiro, UK-Nigeria) – Bamiro follows up 2020’s One Man and His Shoes with this engrossing history of the Nigerian national football team and its importance in the country’s political and cultural landscape..

THE ORIGIN (dir. Andrew Cumming, UK) – Bringing a whole new meaning to the term ‘period film’, Cumming’s Paleolithic low budget horror, THE ORIGIN, is a true original. Shot in the Scottish Highlands during the pandemic, this visionary survival horror is a masterclass in expansive world-building.

THE BLUE ROSE OF FORGETFULNESS (dir. Lewis Klahr, USA) – an exquisite collage film which manipulates fragments of comics, creating a narrative of unfulfilled romantic longing.

THE GIRL FROM TOMORROW (dir. Scr. Marta Savina, Italy-France) – Savina’s impressive debut is based on the true story of a young woman violently forced into marriage fighting for justice in 1960s Sicily.

THE BLAZE (dir. Quentin Raynaud, France) – a man and his father flee from a wildfire in this French eco-thriller that could have been ripped from the charred pages of this year’s headlines.

KANAVAL: A PEOPLE’S HISTORY OF HAITI IN SIX CHAPTERS (dirs. Lean Gordon, Eddie Hutton Mills, Haiti-UK) – Haitian history is presented through an explosion of colour, dance and music, as the country prepares for its legendary carnival. .

MY FATHER’S DRAGON (dir. Nora Twomey, Ireland) – an irresistible animated fable from the award-winning director Nora Twomey and acclaimed Irish animation Studio Cartoon Saloon, about a boy and a young dragon stranded on an island full of untamed beasts.

XALÉ (dir. Moussa Sene Absa, Senegal-Ivory Coast) – Artist, musician and filmmaker, Moussa Sene Absa (Yoole, The Sacrifice) deliver a powerful female-centred revenge drama, XALÉ , which unfolds across two time frames and details the fallout of a devastating incident

THE STORE (dir/scr. Ami-ro Sköld, Sweden-Italy) – this inventive and provocative social realist drama boldly uses live-action and stop-motion animation to explore what living in our zero-hours-contract, consumer society might look like in the very near future.

SHTTL (dir/scr. Ady Walter, Ukraine-France) – set in a Jewish village prior to the Nazi invasion of Ukraine in 1941, a filmmaker returns from Kyiv in search of his intended Bride.Walter’s striking debut, crafted as a stunning black and white ‘single-shot’ drama is in Yiddish and stars Saul Rubinek, Moshe Lobel and Antoine Millet.





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